Der Kamera-BRAIN ist der primäre Baustein des RED-Systems und beherbergt den Bildsensor und fortschrittliche Rechnerkomponenten.Eine DSMC2® BRAIN ist in der Lage, Daten mit einer Geschwindigkeit von 300 MB/s zu schreiben, kann gleichzeitig in REDCODE RAW und Apple ProRes oder Avid DNxHR/HD aufzeichnen und wird mit vier Sensoroptionen angeboten - für einen unglaublichen Dynamikbereich und eine Auflösung von bis zu 8K. Mit Funktionen wie kabellosen Peripheriegeräten, integriertem Medienschacht und drahtloser Steuerung ist die DSMC2 die bisher leistungsstärkste und intuitivste Kamera. Außerdem ist sie mit einem wachsenden Arsenal an Modulen und Zubehör von RED und anderen Drittanbietern kompatibel. Mit den austauschbaren OLPFs und Objektivhalterungen gibt Ihnen die DSMC2 die ultimative Kontrolle über Ihre Aufnahmen.
5K GEMINI S35 Sensor
The GEMINI 5K Super35 sensor features dual sensitivity modes. Use Standard mode for conventional shooting scenarios. Switch to Low Light mode for increased sensitivity, but without the increased noise floor commonly found through signal manipulation.
REDCODE RAW
The cornerstone of RED's workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite. Capture rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher options.
Apple ProRes and Avid DNx Formats
For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing.
DSMC2 Form Factor
Like the preceding DSMC cameras, RED designed the DSMC2 camera line to be modular to fit a wide range of production workflows. Smaller and lighter than the original DSMC design, when stripped down to the BRAIN itself, you have a high-resolution gimbal workhorse. Likewise, add DSMC2 modules to the rear to gain professional I/O connections and battery power. Many other parts of the DSMC2 design are meant to be interchangeable. Swap out the lens mounts to open up new libraries of lenses. Exchange the included standard OLPF (Optical Low-Pass Filter) for alternative image renderings at the sensor level. Mount an EVF without cables that can get snagged, or use a separately available adapter to attach RED LCDs via LEMO cable. Since the DSMC2 form factor is standardized, any accessories that you have for this DSMC2 body will work with any other DSMC2 body, should you upgrade or acquire an additional body in the future.